Comic Picks By The Glick
The Immortal Hulk vol. 5:  Breaker of Worlds

The Immortal Hulk vol. 5: Breaker of Worlds

January 17, 2020

Four-fifths of this volume can be described as “good.”  You get the same quality writing and art from Al Ewing and Joe Bennet, with Ryan Bodenheim doing solid work on the opening issue, as they move the story forward.  First by going backward with a look at the leader of Shadow Base, Gen. Reginald Fortean, and how he came to be obsessed with stopping the Hulk. It’s an obsession that ultimately damns him as we see him obtain the awful means to make his dream a reality.  While he’s doing that Doc Samson and the rest of Gamma Flight have finally figured out where Shadow Base is, and they’ve got their own plans for taking care of them. Which are almost certainly less savage than what Betty Banner, Rick Jones, and Hulk (with Bruce Banner and Joe Fixit still knocking around in his head) have planned for when they finally get there.


Then you’ve got the fifth issue -- the 25th in the current run.  As befitting an anniversary number like that, Ewing and artist German Garcia decided to give us something special.  It’s a story that doesn’t take place in this incarnation of the Marvel Universe, or the Eighth Cosmos as the writer has figured it.  No, this story takes place in the Ninth Cosmos as one of its inhabitants takes up a desperate task as it nears its end. Where there was once a vibrant cosmos teeming with light and color, these things have slowly been taken out of it.  Taken by something big, green, and so full of hate.


“Breaker of Worlds” is essentially the “Bad Ending” for this series and the closest it has come to inspiring genuine horror in me.  The title’s early, overt stabs didn’t do much for me, but the concepts introduced here -- and Garcia’s rendering of just what’s inside that thing’s mind -- are more than unsettling.  This is helped along by the fact that the issue is largely experimental as it eschews any trace of superheroes or the Marvel Universe for a cosmos that’s far weirder and decidedly weirder.  Yet not unrelatable as Ewing does a good job of making this issue’s protagonist relatable in spite of their alien nature. It’s incredible stuff which serves as a showcase for Ewing’s ambition regarding this series, especially in how he ties it back into the main story at the end when a familiar villain makes his return.

The Batman Who Laughs

The Batman Who Laughs

January 15, 2020

If “Dark Nights:  Metal” had one breakout character, it would be The Batman Who Laughs.  Not according to me, however. The idea of a Batman whose mind was infected, literally, by a toxin inside the Joker’s body which only emerged upon his death wasn’t the right kind of dumb for my tastes.  Seeing Batman and the Joker team up to kick his ass at the end of the event was my favorite thing about the character. Still, he struck a chord with other comics readers and the character’s popularity is why he’s getting a self-titled miniseries.  Make no mistake: This is really just another chance for Scott Snyder to write a “Batman” story, and one marvelously illustrated by his “Detective Comics” collaborator Jock. So while there’s inevitably going to be some good stuff here, there are also some real issues holding it back.

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Jojo’s Bizarre Adventure Part 4:  Diamond is Unbreakable vol. 3

Jojo’s Bizarre Adventure Part 4: Diamond is Unbreakable vol. 3

January 13, 2020

If there’s one thing the previous three parts of this series haven’t lacked for, it’s been direction.  Even if the individual arcs within them went off in some pretty odd directions, each Jojo had his own particular goal to strive for.  Until now, that is. The second storyline in this volume, “Chilli Pepper,” features the return of the Stand and user that killed Okuyasu’s brother and took the bow and arrow that were creating other Stand users back in the first volume.  You’d think that this would be the encounter which sets the stage for future conflicts that will drive this part and culminate in a showdown in the final volume.


That… doesn’t happen here.  What happens is that we do get the expectedly thrilling battle of wits as Josuke, Okuyasu, and Koichi have to figure out how to defeat a Stand that can call upon the power of electricity.  There’s even some added drama as the story gets a ticking clock in the form of Josuke’s biological dad, Joseph Joestar, eventually making his first appearance in this part. Yet when Chilli Pepper is defeated, things start feeling kind of aimless.


I’m not saying things get boring or anything of the like.  It’s impossible to say that about storylines where Josuke and Joseph have to deal with an invisible baby and Koichi encounters one of the series’ most famous characters:  Egomaniacal manga artist Rohan Kishibe. (Why “most famous?” Call it a hunch.)  Things get wild in this storyline by its end and I have a feeling the climax will be even moreso.  The problem is that it doesn’t feel like there’s any greater purpose driving these stories like there has been up to this point.  Seeing Hirohiko Araki cast around for direction is still pretty entertaining, even as I’m left hoping to see the next big bad arrive to drive the plot in vol. 4.


(There’s also a story preceding the “Chilli Pepper” arc in this volume.  The reason I didn’t say anything about it is because it’s the kind where you’ll enjoy it more the less you know about it.  Take it from someone who had it spoiled for him years ago…)

Guardians of the Galaxy by Donny Cates vol. 1:  The Final Gauntlet

Guardians of the Galaxy by Donny Cates vol. 1: The Final Gauntlet

January 12, 2020

Donny Cates and Geoff Shaw, together again on “Guardians of the Galaxy!”  It should’ve been a can’t-miss proposition after their work on “Thanos Wins.”  Yet Shaw only wound up drawing the issues in this volume and Cates wrapped things up after twelve issues.  I’m inclined to wonder “What went wrong?” under these circumstances, but another theory presents itself after reading this volume:  This was all the creators had time for. Cates has a full dance card given his Marvel and Image projects while Shaw does his best work six issues at a time.  So while Marvel may have wanted them to stick around longer, these creators only had time for a couple things. Namely, put the “Guardians” back together after the events of “Infinity Wars” and wrap up the legacy of Thanos’ Last Will and Testament.

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Thor by Jason Aaron vol. 3 (Actually vol. 17):  War’s End

Thor by Jason Aaron vol. 3 (Actually vol. 17): War’s End

January 11, 2020

(In case anyone is keeping track of the “Actually” bit, vol. 16 was “War of the Realms.”)


My biggest complaint with “War of the Realms” was that it was focused too much on spectacle.  There were lots of epic showdowns and conflicts on display, but it was lacking in smaller character moments to help flesh out the war and its stakes.  Given that the event spun out from the pages of Jason Aaron’s run on “Thor,” my expectation was that we’d get those kinds of stories with this volume. That doesn’t quite happen here, though the double-dose of epiloguing just about makes up for it.

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Justice League vol. 4:  The Sixth Dimension

Justice League vol. 4: The Sixth Dimension

January 10, 2020

This volume’s title is where the impossible happens, and it’s where the League has to go in order to stop Luthor from turning the multiverse towards Doom.  What do they find there? Why a perfect utopia where their future selves are more than happy to show them around and talk about how they pulled it off. Naturally it’s a trap and it’s disappointing that writer Scott Snyder (working with artist Jorge Jimenez as a co-plotter on this arc) would reduce the idea of the Sixth Dimension to such a familiar trope.  It doesn’t help matters either that the six-part title story also feeds into his worst impulse when writing events: Having the heroes work really hard to succeed and then having their hopes crushed in a single page.


With these things working against it, I was honestly surprised to find myself enjoying the story by it’s end.  We get some quality insight into Superman’s character -- as a father and a son -- as he fights against overwhelming odds in darkness.  His ultimate triumph is a sight to behold, mainly due to Jimenez’s incredible art as he truly sells the scale of the punch the Man of Steel lays on the antagonist.  It’s also fair to say that Jimenez’s art is truly stellar from beginning to end as it vividly displays the angelic heights and hellish lows of this world. Not to be outdone, Francis Manapul also delivers some mythic sights in the James Tynion IV-written “League of Doom” interlude issue.  An issue which advertises the origins of Perpetua, the Monitors, and the multiverse is certainly promising a lot, and it largely delivers.


The action drops off considerably for the volume’s final third as the majority of the League seeks out the other Monitors while J’onn J’onzz try to track down Luthor.  While the League’s storyline is necessary for the overall plot, the real drama occurs when J’onn and Luthor -- now “Apex Lex” -- finally meet. I’m not expecting the consequences of their meeting to result in permanent changes to either, but a surprisingly harsh fate awaits the Martian Manhunter here.  It’d probably be an even more impactful read if the scratchy art from Javier Fernandez (and the pitch-ins from Bruno Redondo and Daniel Sampere) were on the same level as Jimenez and Manapul. As things are, the final three issues wind up being just decent buildup for the “Justice/Doom War” in the next volume.

Comic Picks #306:  Paper Girls

Comic Picks #306: Paper Girls

January 8, 2020

Cliff Chiang's art is great, but Brian Vaughan's attempt at creating a puzzle box of a comic is decidedly uneven.

Delicious in Dungeon vol. 7

Delicious in Dungeon vol. 7

January 6, 2020

This is a volume of “Delicious in Dungeon” where the emphasis is on the plot and characters rather than the dishes created from defeated monsters.  Sounds like kind of a mistake, doesn’t it? If you’re like me and the series has had you engrossed since the first volume then chances are you’ve got some investment in the story being told here.  So vol. 7 winds up being a great example of showing how the series has legs beyond its signature gimmick.

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Dark Horse Previews Picks:  March 2020

Dark Horse Previews Picks: March 2020

January 5, 2020

Above-the-Board Recommendation:



All of the books from Dark Horse that I was considering for this month involved potential.  Not so much that I was expecting greatness from them, but that they had the potential for that or just to surprise me.  So why does “Steeple” get this spot? Because of all the things I’ve heard about its creator, John Allison, over the years.  Whether it was his webcomic “Scary-go-Round” or the soon-to-wrap-up slice-of-college series “Giant Days,” his works have yet to disappoint his critics or fans.  So it would appear that it’s been my loss that I haven’t checked out anything he’s done before now. I realize that the expectations of whether or not I’ll like a particular creator are a lot to hang on a series about two women investigating supernatural happenings in a sleepy coastal parish that may also involve the rapture, but I figure I should check out “Giant Days” as well just to make sure I’m getting the full picture of Allison.

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DC Previews Picks:  March 2020

DC Previews Picks: March 2020

January 4, 2020

Above-the-Board Recommendation:

Batman:  Last Knight on Earth HC


It’s the future, and do you know where your Batman is?  Bruce Wayne doesn’t. He’s just woken up in Arkham Asylum without a sign that he’s ever been Batman.  The world outside Arkham appears to be all the worse off for it as the Earth of the DC Universe looks like it’s last legs.  So what’s someone who’s never been the Caped Crusader to do? Pick up the bottle with the Joker’s severed and still-living head in it and head out into the wasteland to find some way to put the world right.


Billed as “the last Batman story” from team supreme Scott Snyder and Greg Capullo, I think that’s kind of a misnomer.  It’s only the last “Batman” story from this team until their next one. Even if their “Metal” wasn’t as good as its hype, Snyder showed that with “The Batman Who Laughs” (review forthcoming) that he does better work with a singular focus on the character.  So I’m expecting the quality of this collection to be on the level of their regular “Batman” work and for Capullo’s art to look fantastic in the oversized “Black Label” format.

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